The 2026 Bridgette James Poetry Competition Best Entries
Overall Winner,
The Annual Bridgette James Poetry Competition, 2026
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Damilola Oyedeji
[w]hat is the naming of a body
set outside the margin?
-'Margins'
Margins by Damilola Oyedeji
i. outside the main body
ii. outside the limit
iii. a measure or degree of difference
~ Meriam Webster Dictionary
***
Everything outside my body is excessive.
Everything on and inside it, too. The multiplex
of my eyebrows. The timbre of my voice
escaping their lispy lip doors. The tilt
of my belly is more than a tilt. It’s the moon,
round, but it weighs more than a circle. I’m a circle
of desires my body will not permit. The first doctor
I see tells me, you will be fine if you do not grow
fat. Shamefaced before a mirror, I pinch the skin
of my belly to let out the air. Hissing back
at me are strings of cysts, not air. Hissing back
is my sister’s voice note, you need to lose weight.
Hissing back are the blue stories of uterine bodies
in my lineage. Pink fibroids linger in my aunt’s grave.
One lonely breast in my step-grandmother’s.
Everything inside me is blue, is excessive,
is blue, for what is the naming of a body
set outside the margin?
When the radiologist slips an IV into my left
cubital vein, he thrusts a ball into my right palm
and says, squeeze this if it starts to hurt.
I play guess-what with the MRI machine
as it tries to uncover what is excessive inside me:
a triple beep for a warning, an unending screech
means terror, the soft breathe in-hold your breath-
breathe out command is a lullabic dirge. I sway
into a small dream in which I’m standing outside
a threshold. It’s empty inside because no one
is normal. Everyone is only acting. Every voice
I hear is blue and outside the margin. Every body,
blue and outside, too. Hands, blue from hiding
their blue bodies. Mouths, blue from biting
others blue. I dig my right fingers
into the squeeze ball. It hurts.
It blues. Every body hurts.
Every body is blue.
Bio
Damilola Oyedeji is a Nigerian poet, essayist, and literary critic. Her work explores intersectional discourses of Black bodies experiences. Damilola is the author of the forthcoming chapbook Blue Scapes, with Thirty West Publishing House, PA.
A Best of the Net nominee, as well as recipient of the 2026 William Walker Excellence in Critical Writing Award, the 2025 Robert Henigan Critical Essay Award, and the C.H. Gelin Graduate Fellowship Award, her works have appeared in LLIDS Journal, Lolwe, Orange Blossom Review, The Shallow Tales Review, Brittle Paper, The Nigeria Review, Talon Review, Belfast Review, Poetry Journal, the Sprinng Writing Fellowship 2023 Anthology, and elsewhere.
A past fellow of the Sprinng Writing Fellowship herself, Damilola mentors emerging writers in creative nonfiction through the Sprinng Writing Fellowship. She is a PhD student in Creative Writing at Texas Tech University and holds a master’s degree in English from Missouri State University.
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Yuwinn A. Kraukamp
'But I know all the white words: fuck
Fuckup. Freakshow. Failure.'
'Raw/Rou'
Raw/Rou by Yuwinn A. Kraukamp
Something is missing from my language. A word torn from my throat. A phrase confiscated
from my history
a sound or a sacred name
scythed from my mother tongue
as I searched for this pre-colonial vernacular (taal)
for this unvoiced veritas between you and me,
I Googled the words you threw at me on the day you left. You said I speak too white. Not the real
raw Afrikaans our people were born with
You said my language is as soulless as my identity
my identity as pale as my complexion
So I traced your words back to their linguistic roots
back to the indigenous speech we spoke without sound
I reopened words like wounds we could’ve unsaid. I relived conversations we could have survived
And in each one, we’re speaking two different languages
Two voices, reciting two different poems
one hungry mouth to swallow the corpse
of every dead dialect we failed to keep alive.
I carried the words you carved into me on the day you left, into every room like scars on my skin
Like something raw
And did you know that in Afrikaans rawness (rou)
has two different meanings: blood-red
cut open, uncooked meat
But it also means grief. It means mourning. The sort of loss you suffer that’s so deep, so unending
it becomes a second language you instantly
know how to speak
when a mother loses a son, then the word raw
is instantly fixed to her name: roumoeder
rawmother: blood-red, cut open
Her rawness comes to life in every vocabulary. Every memory voiced with salt—a primal language
we all learn to speak.
I still struggle to spell God’s true name without autocorrection. I’m still missing something, I know
I’m still not fluent in the English language
But I know all the white words: fuck
Fuckup. Freakshow. Failure
I feel every word changing shape inside my mouth
every time I say them out loud: reminiscence turns into regret. Faithfulness turns into fear
eyes turn into tongues, sight turns into voice
our language turns into an emergency line
with no answer, no service
yet still I speak; honestly and painfully, in your tongue and mine. As if you would ever speak back.
Bio
Yuwinn A. Kraukamp is a bilingual writer from the coastal corner of Cape Agulhas, South-Africa. He’s a natural born creative, a former English— and Communications major at the university of the Western Cape, and a patron (saint) of everything that’s artistically unique and beautifully weird in this world. Yuwinn has worked as a freelance columnist for Network 24, and a freelance journalist for The Southern Post Newspaper since 2022. In 2024 he was the third-place winner of the Diana Ferrus poetry prize, and in 2026 he was the first-place winner of the Njabulo S. Ndebele-themed ‘Rediscovering the Ordinary’ poetry competition.

Janine Milne
The Etymology of Homesickness
Once, they knew homesickness that bloody fist of longing— could kill you.

Chiamaka Ogiji

Ethan Bramwell
Commended Poet
Featured in Anthology. Click to Read Poem
Winner Announced

The Annual Bridgette James Poetry Competition:
Random Order of Shortlisted Entries 2026 - One of Which Will WIN.
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BR804257: The Monster Home Made by Mosimiloluwa Dorcas Kupoluyi - Nigeria
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BR 360184: Ancestry and Borders by Ojo Olumide Emmanuel - Nigeria
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BR 587470: Buy a casket for Dorcas (Ezenwa-Ohaeto Prize) by Chiamaka Ogiji - Nigeria
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BR 634572: The creature’s lament (Young Person Category) by Olivia Caldeira - South Africa
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BR 842519: The Free Man by Chidebelu Emmanuel Nnazoba - Nigeria
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EB 856421: The Girl Who Asked for a Pen by Halima Raji - Nigeria
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BR 286741: Horseback by Ethan Bramwell - South Africa
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BR175981: Margins by Damilola Oyedeji - Nigerian Diaspora
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BR 638241: Onye Ọbịa (Ezenwa-Ohaeto Prize + YP Category) by Bill Nwonwu - Nigeria
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BR 238570: Raw/Rou by Yuwinn A. Kraukamp - South Africa
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BR 804693: Spectator at the Border of Massacre by Excel Chinagorom Michael- Nigeria
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BR13804: Stranger Danger by Edinam Denoo - Ghana
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BR 18458: The Etymology of Homesickness by Janine Milne - South Africa
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BR 79228: Theophany (Young Person Category) by Marvinci Bobbylex-Oduali - Nigeria
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BR 824690: The priest's litany by Alabi Miracle Mezabo - Nigeria
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BR 716845: What privilege by Brett Anderson - South Africa
Prize Winners & Ella's Poems Project - Charitable Awards
First Prize: $100 USD
Runner-Up:$20 USD
Third Place: $15 USD
Fourth Place: $10 USD
Fifth Place: $10 USD
Winner: The Ezenwa-Ohaeto Prize for the Best African Traditional Poem - $20 USD
Runner-Up: The Ezenwa-Ohaeto Prize for the Best African Traditional Poem - &10 USD
Youngest Submitter: $10 USD
Commended Poem: $10 USD
Commended Poem: $10 USD
Commended Poem: $10 USD
Bridgette James's Favourite Poem: $20 USD

Chinua Ezenwa-Ohaeto - Head Judge, 2026
Praise for Poems – Judging & Reading Panel
‘The Etymology of Homesickness’
I’ve been outside of my life for years. Indeed, soldier, indeed. Is the poem moving? Yes, it is. Its weakness is a near-sentimentality. Perhaps that is its best feature.
–Pamilerin Jacob
What a glorious poem. I like how it explores the etymology of words to talk about displacement and ostracization. Does homesickness no longer kill you?
–Bridgette James
This poem transforms nostalgia from a historical diagnosis into a profound meditation on alienation, identity, and emotional exile. Its imagery and phrasing are compelling. The poem’s movement from collective space into a confession is handled with remarkable control.
–Chinua Ezenwa-Ohaeto
‘Theophany’
I love the title; I love the subject matter.
–Pamilerin Jacob
Quintessentially, this is what I came to look for this quarter. This poet is a mini Lee Mokobe: an unfiltered, emotionally-honest voice. I have screenshotted Theophany and already memorised some of its lines. I implore you to read the poem aloud and savour its rhymes.
The twist at the end (in the last line) puts a spin on the meaning of theophany. The poet’s God becomes uncontainable, meaning nothing can restrain or hold God/the poet back, even figurative prison bars. This directly contradicts the meaning of the title Theophany, which is a tangible manifestation of God, often in human form.
Playground bullies could be so cruel, can’t they? Hence through all the name-calling in the poem, I can just hear kids’ voices calling the poet effeminate, gay et cetera.
–Bridgette James
This poem confronts identity, shame, embodiment, and resistance. The poem’s movement from childhood name-calling and ridiculing of a person, into philosophical questioning about the body and the self feels universal. The ending, which is remarkable, transforms the poem into a declaration of transcendence, and selfhood beyond confinement.
–Chinua Ezenwa-Ohaeto
‘Margins’
This poem gives you miracles like: Hissing back are the blue stories of uterine bodies / in my lineage. It is a sentimental poem, but it has its moments of tension, as in the opening lines.
–Pamilerin Jacob
I always go for the spectacle in a poem. And the spectacle in this one is its extraordinary way it transforms medical examination, bodily insecurity, and pain into a haunting meditation on excesses and survival. The repetition of “blue” is delivered emotionally and symbolically, which is also devastating and alienating until it saturates the entire poem. I’m moved by how the speaker’s intensely personal experience inside the MRI machine expands into a larger revelation about performance and the hidden suffering. This is a good piece.
–Chinua Ezenwa-Ohaeto
‘Horseback’
Tears are rolling down my face. I can make comparisons to Chinua Ohaeto’s poem: ‘What Chinualumogu Made with Clouds’ in his 2025 collection, The Naming. What beautiful lyricism learnt from this poet’s lived experiences too.
–Bridgette James
This piece is compelling because of its honesty and narrative-ness. It traces the movement from fear and instability toward self-discovery. The transition from the small town to the city, and then from uncertainty into the possibility of poetry, is handled with care.
–Chinua Ezenwa-Ohaeto
‘Stranger Danger’
Most of the poem actually elicits surprise. Illness, faith, healthcare are bundled into this rich blend of scintillating language. Even in the lines I consider weakest, ‘God of small glory’ still alerts me to a poet doing something interesting with language. As for structure, the stretching of words is reminiscent of the marvellous wordplay of the legendary Nigerian poet, Niyi Osundare.
–Pamilerin Jacob
This piece offers a new way of looking at the subject of breast cancer or some form of disease affecting the breast. The pathogen is seen as an intruder. As a reader I was moved by the portrayal of uncertainty when a diagnosis is given.
Such display of technical skill. I like how letters cascade. The poet too has changed form. They are God. But the idea of physical transformation or the notion of embodying God is not novel in poetry - not to be taken to mean this poem is clichéd.
The poem feels complete, with one "line" of thought about the theme of Stranger danger running through it.
The female poet’s voice is clear, authentic, and memorable so this poem stands out and would resonate with lots of people around the world.
–Bridgette James
This poem is good in its fusion of spirituality and embodiment. This creates a voice that feels transcendent. I like the way the poem manipulates form and spacing—the fractured typography and cascading lines visually enact rupture and descent. The poem also refuses easy separation between the body and the divine by presenting illness as a site of questioning and profound spiritual confrontation.
–Chinua Ezenwa-Ohaeto
‘The Girl Who Asked for a Pen’
Oh my! I feel the frustration in this voice, the hurt from things lost, especially innocence and a wasted mind. The words were simple, but powerful. I word does not have to be obscurely used or from a higher plain to have power.
–Gary Bryant
This poem is affecting in the way it traces a girl’s movement from curiosity and silenced longing into resistance and generational change. There is a recurring image of the yellow scarf and blue dress, which evolve from symbols of innocence into emblems of dignity and defiance. What makes the ending land well is the transformation of the speaker into someone who refuses inheritance as fate.
–Chinua Ezenwa-Ohaeto
‘The Monster Who made Me’
I loved this poem. I was surprised to read this development from the youngest category. I could easily have believed it came from someone older. Great imagery and use of language.
–Gary Bryant
This poem captures the emotional dread of returning home while still holding space for love. The domestic details in it are incredible, which transforms an ordinary sound into a looming emotional presence. The ending is extraordinary because it shifts from describing the home to how the home now lives inside the speaker.
–Chinua Ezenwa-Ohaeto
‘Raw/Rou’
This poem intertwines language, identity, colonial history and grief into a meditation on what it means to lose — and keep searching for — a voice. The poem’s movement between Afrikaans and English beautifully enacts the fractured inheritance the speaker is trying to navigate. This is a good piece.
–Chinua Ezenwa-Ohaeto
‘The Priest’s Litany’
The narrator is an observer – the priest. Who is Oredia? Is she European? Is she the poet’s/priest’s daughter (not a biological relation though)? What is the darker path that Oredia treads? Is she a widow? Her spirit has disassociated from her ??body (the Host). I am intrigued by this storytelling poem. It is a masterpiece. It made me do my research. Is Oredia an outsider because she is bereaved? And where is Oredia grinding towards at the end? Isn’t she already in ?
–Bridgette James
‘Buy a Casket for Dorcas’
This piece merges oral storytelling, and social critique. The opening invocation of the grandmother’s storytelling tradition creates cultural grounding before the narrative descends into the devastating realities of abuse and abandonment.
–Chinua Ezenwa-Ohaeto
‘No Love Outside Her Body’
This conflicted tale of maternal love and sexual desire almost veering into the forbidden, left me spellbound. I am reminded of a term coined by Sigmund Freud I 1910: Oedipus Complex. Oedipus unknowing married his mum after killing his dad. In the end it is a celebration of motherly love.
–Bridgette James
The Annual Bridgette James Poetry Competition:
2026 Longlisted Entries of Contenders for This Year's Prizes
- in No Particular Order
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EB 775284: A Spiritless Eureka by Toluwanimi Hannah Ajayi - Nigeria
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BR05503: A Stranger Under My Skin by Rachael Ajisafe- Nigeria
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EB 804257: Against My Will by Oluseyi Ogunbanwo Joseph - Nigeria
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BR 360184: Ancestry and Borders by Ojo Olumide Emmanuel - Nigeria
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BR 587470: Buy a casket for Dorcas by Chiamaka Ogiji (Ezenwa-Ohaeto Prize) - Nigeria
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EB 681539: Give me the ministerial seat by Hannah Ojingiri - Nigeria
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BR02134: Homeland: Together We Sit and She Tells Me a Story by Nailah Tataa - South Sudanese Diaspora
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BR 286741: Horseback by Ethan Bramwell - South Africa
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BR175981: Margins by Damilola Oyedeji - Nigerian Diaspora
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BR 638241: Onye Ọbịa by Bill Nwonwu (Ezenwa-Ohaeto Prize +(Young Person Category)- Nigeria
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BR 43019: Out of Chaos Comes Beauty by Mutinta M.J Haandili AKA Tintahepps -Zambia
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EB 120693: Outsider/ I was there but wasn’t there by Jimoh Aishat Olamide- Nigeria
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BR63217: Queer by Tshegofatjo Makhafola - South Africa
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BR 238570: Raw/Rou by Yuwinn A. Kraukamp - South Africa
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BR 804693: Spectator at the Border of Massacre by Excel Chinagorom Michael- Nigeria
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BR13804: Stanger Danger by Edinam Denoo - South Africa
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BR 634572: The creature’s lament by Olivia Caldeira (Young Person Category) - South Africa
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BR 18458: The Etymology of Homesickness by Janine Milne
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EB 856421: The Girl Who Asked for a Pen by Halima Raji - Nigeria
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BR 804257: The Monster Home Made by Mosimiloluwa Dorcas Kupoluyi (Young Person Category)- Nigeria
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BR 824690: The priest's litany by Alabi Miracle Mezabo - Nigeria
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BR 79228: Theophany by Marvinci Bobbylex-Oduali (Young Person Category) - Nigeria
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EB 569841: Uninvited by Azeez Abiodun - Nigeria
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BR 716845: What privilege by Brett Anderson - South Africa
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BR 842519: The Free Man by Chidebelu Emmanuel Nnazoba - Nigeria
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BR 348670: Congress of Voices by Dylan Mapfumo (Young Person Category) - Zimbabwe
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BR 856972: I hold God through my mother's hands by Henry Opeyemi - Nigeria
Remarks:
Country Most Represented - Nigeria (17 Longlisted Entries)
The Term: Young Person refers to a contestant 19-years-old and below.
How Much Does The Book/Antholgy Cost to Print? How Much Will You Sell It For?
Answer: Printing Cost Per Book = $3.35
Sale Price = $6.72
Profit= $0.01

2026 Poetry Winners' Outsider Anthology
Alphabetical List of 52 Poets in Collection
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A bathroom is a logical place to hide by Linda Sparks
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A Spiritless Eureka by Toluwanimi Hannah Ajayi
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A stranger inside a familiar face by Ann Nziku
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A Stranger Under My Skin Rachael Ajisafe
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Alone and Happy by Joanita Richter
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and they said: Be Like the Porcupine by Hyginus O. Ekwuaz
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Audience of My Own by Benjamin N. Amakobe
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Beloved Country by Zizipho Godana
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Bohemian by Audrey Neema
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Buy a Casket for Dorcas by Chiamaka Ogiji
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Chasing dreams by Chiemeziem Everest Udochukwu
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Close, but aloof by Celestine Kenechukwu Onah
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Coronach on Easter by Adegoke Adeola
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Gaps, spaces and fences by Isah Qulsum
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Grasping Steam by Victoria Amune
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Homeland: Together We Sit and She Tells Me a Story by Nailah Tataa
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Horseback by Ethan Bramwell
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Hymn for a Headless Silhouette by Imole Olusanya
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I am a foreigner in my body by Neo Samunzala
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I arrived early, as always by Magauta Nicole Sapho
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I came here dyed with loss by Blessing Ojo
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I hold God through my mother's hands by Henry Opeyemi
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In Search of Another Ending by Abdul Samad Jimoh
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Invasive outsider’s aroma by Jive Lubbungu
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Invocation by Taofeek Ayeyemi
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Journey of Truth by Mariam Yussuff
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Lágbájá by Babajide Olusanua
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Margins by Damilola Oyedeji
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My Illusions & The Truth by George Zulu
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Numbers, From the Outside by Ishaq Isa El-Qassi
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Olamichayin Akulijele by Ocheni Kazeem Oneshojo
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Queer by Tshegofatjo Makhafola
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Raw/Rou by Yuwinn A. Kraukamp
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Scarf of Stigma by Phyllis Oniopusaziba Akpoti
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Spectator at the Border of Massacre by Michael Excel Chinagorom
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Stranger Danger by Edinam Denoo
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The beauty salon by Kauser Parveen
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The Etymology of Homesickness by Janine Milne
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The Free Man by Chidebelu Emmanuel Nnazoba
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The Girl Who Asked for a Pen by Halima Raji
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the origin of silence by Ajise Vincent
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This Poet is a Banker by Terry Egharavba
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The Monster Home Made by Mosimiloluwa Dorcas Kupoluyi
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The priest's litany by Alabi Miracle Mezabo
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Theophany by Marvinci Bobbylex-Oduali
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This Goliath Was a Victim by Nas Jolaade
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Veil of deceit by Jonathan Ampofo
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Water Jugs by Ukachukwu Victor Ikechukwu
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We are Tired of Burying by Victoria Kerubo
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What Privilege by Brett Anderson
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When I Was Alone by Oratilwe Mahlangu
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Wounded by Mercedes Ovis
Timeline & Queries:
Final Manuscript Circulated June 1st 2026. No More Poems Will Be Added
Query: My poem isn't listed.
Reason: Your poem wasn't chosen, I'm afraid.
Query: I wasn't longlisted, will I still win or appear in the shortlist on the 20th of May?
Answer: I'm afraid not.
Please check your inboxes for a request for a bio. Don't worry if you've already submitted one.
Please don't reply if you've returned your contract. Over 20 contracts are still outstanding.
About Contributors
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Ajise Vincent is an Economist based in Lagos, Nigeria. His works have appeared in Jalada, Ake Review, Saraba, Bombay Review, and Birmingham Arts Journal, among others. He is a recipient of the Eriata Oribhabor Poetry Prize 2015 and Akuko Poetry Prize 2022. He loves coffee, blondes, and turtles.
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Ann Nziku is a 24-year-old Nairobi, Kenya based poet whose work explores on themes of identity, vulnerability and emotional resilience. Her other poems 'Hope lingers' is published on borderless journal and 'little things' in the anthology ocean of words.
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AbdulSamad Jimoh is a writer and a lawyer based in Abuja, Nigeria. He’s drawn to literature that delves into the complexities and intricacies of human existence. His work has appeared in Lolwe, Writer Space Africa and Reedsy. He is the winner of the TEBEBA School of Writing Challenge 2024.
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Adegoke Adeola is a journalist, political commentator, and poet whose work engages themes of gender identity, equality, race, and violence. His writing has appeared or is forthcoming in Novel Afrique, Caucasus Journal of Milton Studies, Kind Writers Literary Magazine, Literanation, Praxis Magazine, and BN Magazine among others.
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Alabi Miracle Mezabo is a Nigerian poet and educator based in Edo State. After earning his Law degree from Ambrose Alli University, he transitioned into the classroom, where he teaches English and Literature. His writing is informed by both the rigor of legal study and a passion for literary analysis.
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Audrey Neema is a Kenyan writer.
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Babajide Olusanua
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Benjamin N. Amakobe is a Kenyan literary scholar, poet, writer and educator aged 23 with passion in the power of the pen. He is currently a student at The University of Kabianga, Kenya pursuing a Bachelor's Degree in Education. He has published literary works with various anthologies including "Wheelsong Poetry Anthology 7" and others.
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Blessing Ojo is a Nigerian poet based in Abuja, where he spends most of his time teaching creative writing, crafting poetry, and guiding children to literary and art festivals. His poems have appeared in Frontier Poetry, The Shallow Tales, Cọ́n-scìò, The Poetry NND Column, The Deadlands, and elsewhere. He coordinates the Hill-Top Creative Arts Foundation, Abuja. He is the recipient of the 9th Korea-Nigeria Poetry Prize (Ambassador Special Prize), the 2024 Eugenia Abu/Sevhage International Prize for Creative Nonfiction, the 2025 Golden Award for Art Administrators, and the 2026 Visual/Experimental Poetry Award.
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Chiamaka Ogiji writes from Abakaliki. She is Igbo-Ibibio. She loves to read and is sometimes completely lost in books. If she weren't busy chasing her dreams of becoming a lawyer, she'd be in the Caribbean sipping coconut water and writing stories, assuming, of course, her account balances properly. Her works have been published in Odd magazine, Kalahari Review, Shuzia Campus, Reformers of Africa, and The 7th Chinua Achebe Anthology. She was longlisted for the ZODML prize and the Blessing Kolajo Poetry Prize 2024.
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Celestine Kenechukwu Onah is a graduate of Mass Communication, University of Nigeria, Nsukka. He grew up in Enugu, in the Eastern part of Nigeria. He is a lover of literature. He is 24 years old and though has written many poems, has only been published once.
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Chidebelu Emmanuel Nnazoba writing as Deb Angel, is an emerging poet from Igbo, Nigeria, whose verses weave culture, emotion, and imagination into compelling art. Rooted in African heritage, his poetry explores identity, resilience, and human experience, crafting lyrical expressions that resonate deeply and celebrate the beauty of words.
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Chiemeziem Everest Udochukwu's work has appeared in EVENT Magazine, Flash Fiction Online, The Evergreen Review, Lolwe, Peatsmoke Journal, Efiko Magazine, Naira Stories, and elsewhere. He won the EC Michaels' Short Story Prize and has been a finalist for The Black Warrior Review Non-fiction Contest, the Quramo Writers Prize, the Kikwetu Flash Contest, and the Nigerian NewsDirect Poetry Prize.
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Damilola Oyedeji is a Nigerian poet, essayist, and literary critic. Her work explores intersectional discourses of Black bodies experiences. Damilola is the author of the forthcoming chapbook Blue Scapes, with Thirty West Publishing House, PA. A Best of the Net nominee, as well as recipient of the 2026 William Walker Excellence in Critical Writing Award, the 2025 Robert Henigan Critical Essay Award, and the C.H. Gelin Graduate Fellowship Award, her works have appeared in LLIDS Journal, Lolwe, Orange Blossom Review, The Shallow Tales Review, Brittle Paper, The Nigeria Review, Talon Review, Belfast Review, Poetry Journal, the Sprinng Writing Fellowship 2023 Anthology, and elsewhere. A past fellow of the Sprinng Writing Fellowship herself, Damilola mentors emerging writers in creative nonfiction through the Sprinng Writing Fellowship. She is a PhD student in Creative Writing at Texas Tech University and holds a master’s degree in English from Missouri State University.
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Denoo Edinam Yawo is a Ghanaian poet/writer whose work delves into themes such as the body, the politics of language, spirituality, and faith at the intersection of living. She is a 2025 Black Atlantic Residency Fellow, an alumna of the 2025 CAINE Online Editing Program, and the 2025 Johannesburg Institute of Advanced Studies (JIAS) Creative Writing Workshop for Emerging Writers. She is the winner of the New Voices Poetry (2025), the 2024 Second Runner Up and the 2025 First Runner Up of the Adinkra Poetry Prize. Her work has appeared in or is forthcoming in Rowayat, Tampered Press, New Coin South African Poetry, Kalahari Review, and elsewhere.
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Ethan Bramwell is a 31-year-old poet, entering his third poetry competition. This entry is especially meaningful as it honours his late father who passed away last April.
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George Zulu is from Lusaka Zambia.
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Halima Raji writes about the inner worlds of African girls for whom a classroom is a dream, and a dowry is a destiny. Her work explores how tradition, poverty, and gender collide to close school doors—and how the desire to learn survives in whispers, in folded cloth, and in mothers who refuse to pass on the same sentence. She believes poetry can hold both the wound and the vow.
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Henry Opeyemi is a writer, storyteller and a performance poet, who wants to someday sell out the 02 Arena as a performance poet. He is the author of two poetry chapbooks 'Autopsy of Old Fractured Wounds' (Ghost City Press 2024) and 'The Volume of Constant Screams' (Cat Courtyard Press 2025). His work has appeared on Poetry Column-NND, Ghost City Press, One Poem Only, Voice of Africa Literature and elsewhere. When he is not writing, he is teaching hearing impaired kids how to play chess.
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Hyginus Ekwuazi is Nigerian. He has published five collections of poetry and won multiple ANA Awards: [2007; 2007; 2008; 2010]. He has been longlisted for the Nigeria Prize for Literature [2009; 2017; 2024]. He was the Director of the National Film Institute, Jos, the Managing Director of Nigeria Film Corporation, Jos. He is now a Professor of Broadcasting & Film at the University of Ibadan and an adjunct professor at Pan-Atlantic University in Lagos.
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Imole OlusanyaImole Olusanya is a Nigerian writer and poet exploring themes of self, family, and society through memory, satire, and everyday life. His pieces have been featured across several literary platforms, including Oriire, The Poetry Journal, The Kahalari Review and international anthologies.
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Isah Qulsum is a Science Laboratory Technology student at Nasarawa State University, Nigeria, discovering the world of poetry.
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Ishaq Isa El-Qassim, PhD, is a lecturer in the Department of English and Literary Studies at the Federal University Wukari, Nigeria. He teaches language and communication skills. His research and creative interests include contemporary poetry, contemporary realistic fiction, literary analysis, media studies, crisis communication, and affective resonance communication, with a focus on documenting everyday human experiences. He is the author of the novel Delayed Letters.
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Janine Milne is a Literature and Creative Writing graduate from UNISA. Her poetry has appeared in Sol Plaatje European Poetry Award anthologies and Stanzas and won the 2017 MacGregor Poetry Prize. She has published short fiction in Short Sharp Stories, Bloody Parchment, and Lemonwood Quarterly.
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Joanita Richter from South Africa is the author of two books. She has always had a passion for writing and started writing at a very young age. Her books were published in 2022 by Malherbe Publishers.
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Jive Lubbungu holds a PhD Lit., MA Lit., MBA in Project Management, Cert. -Monitoring &Evaluation, Cert. Project Consultancy, Cert.- Climate Change AI, Cert. Development Economics. He is a lecturer, author, and researcher and an Assistant Dean at the Postgraduate School of Humanities and Social Sciences in Kwame Nkrumah University, Kabwe, Zambia.
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Jonathan Ampofo is an eighteen-year-old Ghanaian poet.
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Kauser Parveen works in healthcare and uses reading and writing poetry as a means of expression.
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Linda Sparks is a lecturer and researcher at the University of the Free State, South Africa, who assists students in acquiring academic writing and reading skills. She has published articles in various academic journals, and before this, a few poems in literary journals, including Hudson Review.
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Magauta Nicole Sapho is a student poet from Limpopo, South Africa. She writes to examine belonging, resilience, and the quiet violence of everyday spaces like classrooms. OUTSIDER is her first poetry competition entry. When she isn’t balancing science textbooks, she documents the world in lines and fragments.
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Mariam Yussuff is an English Education student and a prolific poet focused on nature, peace, and emotional vulnerability. Mariam’s work has been featured in Poetry and Art News, following a published interview in April 2026. This consistent creative practice aims to capture the subtle and complex truths of the human experience.
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Marvel Essien is a Christian and performance poet, raised in the Southern part of Nigeria. Her artwork is an intentional blend of faith, control, and memory. Her work interrogates the sacred—where it heals, where it wounds, and what it leaves behind. From personal and inherited narratives, her poetry ignites beauty in mundane things.
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Marvinci Bobbylex-Oduali is an emerging poet from Rivers State in southern Nigeria. Co-winner of an ‘Honourable Mention’ in the 2025 The World in Us writing competition, he has works published or forthcoming in cataloguing poetry magazine and La Rotonde Review. He tweets @marv1nci.
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Michael Excel Chinagorom is a Nigerian poet and creative writer living in the suburbs of Aba. His works have been published on various literary journals like the Brittle Papers, Afrocritik, Ekstasis, Yellow House, Fiction Niche, Pawners Papers, Paradise Gate House, Fivers of Mind, Poemify Publisher, The April Centaur, Afrilhill Press and elsewhere. He's the author of Girls Are Roses— a collection of poems published by the Poemify Publisher Inc (2022). He was a runner-up for the Pawners Papers Maiden Award in 2024 and second place winner for Paradise Gate Healing Contest, 2025.
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Mosimiloluwa Dorcas Kupoluyi is a 19-year-old published author and spoken word artist from Lagos, Nigeria. Her work features in the 2026 Lady Dynamique African Anthology. She is a Gold Award Winner of the Queen's Commonwealth Essay Competition 2023 and studies Geology at the University of Lagos.
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Mercedes Ovis is a poet whose work explores gender-based violence, relational trauma, memory, and survival. Through intimate and unsettling imagery, her poetry examines the body, language, and domestic spaces as sites of control, fracture, and resistance. She is the author of A Monologue of Love and Madness.
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Nailah Tataa (penname Nailah Moon) is a ritual-based writer, artist, and facilitator in Kjipuktuk. They are a Black futurist and educator who uses mixed mediums to explore themes of alienation, immigration, Afrofuturism, and identity. A multidisciplinary artist, her goal is for all of us to find freedom in dissidence and liberation through unconventional methodologies.
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Neo Samunzala is an Information Systems analyst who lives and works in Francistown City, Botswana. She loves the art of creative thinking, writing and reading. Her poem, ‘My lover appears,’ in Silhouettes of Love by Abdulafeez Adesokan from Lagos, Nigeria. ‘Love’s tale’ poem is featured at: www.poeticous.com
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Nas Jolaade studied at the University of Ibadan. His work has appeared in Bracken Magazine, New Nottingham Magazine, WriterSpace Africa, Brittle Paper, Poetry Sango-Ota, Okiti Literary, and others. He was a finalist for the 2024 Kofi Awoonor Poetry Prize. He tweets @thejolaade.
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Ocheni Kazeem Oneshojo is a Nigerian poet, musician, and editor. A Pushcart Prize nominee and winner of the Literature Padi 2025 contest, his work appears in ANA Review, Everscribe Magazine, and elsewhere. He is the author of The Man Who Should Die and Other Poems. He is an Aspire Leader with the Aspire Leaders Program. He tweets @kazeemocheni.
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Oratilwe Mahlangu is a young South-African woman from Cape Town and is currently a student at the University of the Western Cape. Growing up, she always knew that something in her had an urge to create stories and poems. She finds joy in the unknown world of words.
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Phyllis Oniopusaziba Akpoti is an emerging writer from Nigeria. She is interested in using literature as an expressive tool for saying the things her tongue may be timid to express. Although she is currently unpublished and still honing her skills, she continues to make efforts to get her voice out there, daring to speak her truth in the best way she can.
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Rachael Ajisafe is a 2nd-year law student at Olabisi Onabanjo University and an award-winning writer. She's won the Witsprouts Storytelling Prize and placed in the Eriata Oribhabor Poetry Prize, ZODML Poetry Prize, and Framefest Abuja. Her work appears in Lounloun Magazine, and she's passionate about inspiring others through storytelling.
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Taofeek Ayeyemi "Aswagaawy" is a Nigerian lawyer, writer and author of a full-length collection "Aubade at Night or Serenade in the Morning" (FlowerSong Press, 2021). A BotN and Pushcart Prize Nominee, his works have appeared in Lucent Dreaming, Up-the-Staircase Quarterly, FERAL, Akitsu Quarterly, Banyan Review, Conscio, Agbowó, and elsewhere. He won the 2021 Loft Books Flash Fiction Competition, and 2nd Places in 2025 Octofest poetry contest.
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Terry Egharavba’s poem was highly commended in The Annual Bridgette James Poetry Competition, 2025. He is a Nigerian banker who writes as if exhaling ache, his poems bruise softly, drawn from waiting rooms, broken clocks, and borrowed faith.
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Toluwanimi Hannah Ajayi is a Nigerian poet.
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Tshegofatjo Makhafola is a South African poet, writer, and award-winning spoken word artist based in Johannesburg. Known for exploring themes of Blackness and queerness, he won the Poetry Africa and Windybrow slam in 2023. His work appears in publications such as New Contrast, Poetry Potion, and bath magg, often highlighting deep, emotive storytelling.
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Victoria Amune is an emerging writer and poet from Nigeria. She studied English language and Literature in the University of Benin. When she's not working as a teacher, she's either reading or writing fiction and poems. She aspires to write words that would reach hearts all over the world.
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Victoria Kerubo is a writer and architectural designer based in Nairobi, Kenya. Her writing gravitates towards the absurdities of life. She currently experiments with different poetry forms. Her work has been featured in the Kalahari Review, Writers' Space Africa, Afrocritik, African Writer Magazine and elsewhere.
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Victor Ukachukwu is from Ebonyi State, Nigeria. He writes in simple language with philosophical depth. His works explore the human condition as a moral duty, memory, and personal growth, using everyday experiences to examine how choices and responsibility define human existence. This is his first time participating in this competition.
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Yuwinn A. Kraukamp is a bilingual writer from the coastal corner of Cape Agulhas, South-Africa. He’s a natural born creative, a former English— and Communications major at the university of the Western Cape, and a patron (saint) of everything that’s artistically unique and beautifully weird in this world. Yuwinn has worked as a freelance columnist for Network 24, and a freelance journalist for The Southern Post Newspaper since 2022. In 2024 he was the third-place winner of the Diana Ferrus poetry prize, and in 2026 he was the first-place winner of the Njabulo S. Ndebele-themed ‘Rediscovering the Ordinary’ poetry competition. Both his English and Afrikaans poetry has appeared on various platforms such as Litnet, PEN Afrikaans and Versindaba; and has been published within poetry anthologies such as Ons Kom Van Hier and The Avbob Poetry Project. He became a member of the Jakes Gerwel Foundation’s network of authors and artists, after participating in a writing fellowship in the Eastern Cape in Oct-Nov 2022. In that same year, he was one of two South-Africans whose writing was honourably mentioned and celebrated at The Future Feminist Awards in California. His writing focuses on political transitions, moral complexity, loss, grief, trauma and rebirth. A variety of his short stories have been published in magazines such as Huisgenoot and Kuier, and within collections such as the Short-Sharp-Stories anthology and FicSci. In 2024, he was part of a science-meets-creativity workshop hosted by the University of Stellenbosch and the South-African Research Chair; where he produced climate-change fiction that was published in an oceanic-research anthology in June 2025. In October 2025, he participated in a writing residency alongside six African writers at the Johannesburg Institute of Advanced Study (J.I.A.S), where they explored the political roles and responsibilities of poetry and short stories.
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Zizipho Godana is a writer from South Africa. She holds a BA in Psychology and Criminology from the University of South Africa. Her passion for writing originates from my deep love of cinema. Her writing can be found, or is forthcoming, in African Writer Magazine, Writers Space Africa Magazine, West Trade Review, Frontier Poetry, and Brittle Paper.
The Following Poems Were Placed, Commended or Won a Special Prize in May 2025
Entry 770822 - 'Big Lights Thunder' Matched to runner-up, Chukwuebuka Freedom Onyishi -$10 USD + Best Metaphorical Poem - $5
Entry 58622 - 'All of it' Matched to Solomon Hamza - $10 USD
Entry 50870 - 'Prayer' Matched to winner Osahon Oka - My Favourite Poem: $20 USD + $40 USD
Entry 46770 – 'The Path I Learned “Wilt”'Matched to Egharevba Terry - Judges' Favourite Piece- $10 USD
Entry 12977 – 'Sigh' Matched to Clement Abayomi - Third Place- $10 USD
Entry 30466 - 'House of Water' Matched to Daniel Jacinth - Fourth Place - $10 USD
Youngest Shortlisted Contestant - Fifteen-year-old Utaara Tjozongoro - $10 USD
The following contestants were placed & won a prize in 2026
1st Entry number BR 18458: 'The Etymology of Homesickness' matched to Janine Milne (South Africa) $100 USD
2nd Entry number BR 175981: 'Margins' matched to Damilola Oyedeji (Nigerian diaspora) (Bridgette James's Favourite) $40 USD
3rd Entry number BR238570: 'Raw/Rou' matched to Yuwinn A. Kraukamp (South Africa) $15 USD
4th Entry number EB 856421: 'The Girl Who Asked for a Pen' matched to Halima Raji (Nigeria) $10 USD
5th Entry number BR13804: 'Stranger Danger' matched to Denoo Edinam (Ghana) $10 USD
6th Entry number BR804257: 'The Monster Home Made' matched to Mosimiloluwa Dorcas Kupoluyi (Nigeria) $10 USD
7th Entry number BR 587470: 'Buy a Casket for Dorcas' matched to Chiamaka Ogiji – Winner of The Ezenwa-Ohaeto Prize $20 USD
8th Entry number BR 634572: The Creature’s Lament matched to 15-year-old Oliva Caldeira (South Africa) Youngest Shortlisted Contestant $10 USD
9th Entry number BR 79228: 'Theophany' matched to Marvin Oduali (Nigeria) $10 USD
10th Entry number BR 286741: 'Horseback' matched to Ethan Branwell (south Africa) $10 USD
11th Entry number BR 638241: 'Onye Ọbịa' matched to Bill Nwonwu - The Ezenwa-Ohaeto Prize - Runner up $10 USD
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The main focus of this project is to promote a love for reading in sub-Saharan Africa.
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Ella’s Poems targets young people in the African continent, between the ages of sixteen and thirty-five - who are active online - in a bid to create a writers' hub on Facebook. Many creatives have found this sort of networking has not only helped them improve their writing skills but more importantly they'd been able to discover local writing opportunities.
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Ella’s Poem’s Project also celebrates the work of African creatives, such as their art, poems, stories and novels, irrespective of one’s social status.
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Many of the creatives who have benefited from this initiative have never written a poem or story in English before. So, our free writing competitions and published books, positively impact their lives.









